Tim’s wife: Genie Abrams, is the author of few novels, a former journalist and public-relations director for a variety of local, statewide and national nonprofits. She served a term on Newburgh, NY, city council member but is out on parole, and was the Poet Laureate of Newburgh from 2022-2024. She published her poetry in “Pretty Nearly All Natural.”
(After reading “The Peace with Justice Portfolio, July 2026,” by Colleen Moore, Director of Peace with Justice, General Board of Church and Society, The United Methodist Church.)
The deepest beauty of Gyeongbokgung does not rest in painted eaves, weathered pillars, or roofs that lift themselves toward the Korean sky.
Neither is it found only among ancient pines, where the wind recites forgotten dynasties, nor in the careful hands that once measured wood and stone into harmony.
Its true beauty dwells within a people—
a people who remember what flames could never erase.
Kingdoms collapsed. Palaces were consumed. History bent beneath invasion, division, and the long labor of grief.
Yet the first design never vanished.
Hidden beneath ash, it waited like a seed sleeping through winter, holding within itself the memory of spring.
So the phoenix returns.
Not because it has escaped the fire, but because it has learned that fire cannot destroy its original song.
Stone rises again. Gate follows gate. Courtyard answers courtyard.
But what has truly returned is not architecture.
It is the quiet courage of a nation remembering its own face.
At Hyangwonji, the moon lays its white silence upon the water, as though heaven itself were reading the ancient heart of Korea.
At Gyeonghoeru, where earth offers its reflection to the sky, the unseen spirit of the people walks among the columns, gentle as evening light.
Simple, yet inexhaustible.
Radiant, yet without pride.
Tonight, across the Pacific, another moon rises over my home.
Its silver path crosses oceans, mountains, and the years until it arrives within my heart.
Then I know—
distance has never measured the homeland.
The homeland lives wherever memory remains faithful, where love still bows before its beginning.
For the greatest palace is never built of cedar, granite, or gold.
It is raised within the human spirit—
where hope survives every ruin, where beauty is reborn from faithful remembrance,
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