“Heart of Listening Stories”

My wife has been the faithful witness to my life.

Not because she walked every road beside me, but because she listened from the other end of the table

where my friends and I have gathered through the decades.

In our twenties, justice sat at the table

between cheap beer and restless nights.

We spoke not of happiness but of causes,

of doors watched from shadows,

of names whispered,

of how to disappear

before the knock arrived.

In our thirties and fourties,

the world gathered around us

like a tightening current.

Homes to build.

Children to raise.

Papers to sign.

Dreams translated

into monthly payments

and practical prayers.

In our fifties,

leadership entered quietly

and took a seat among us.

Not as ambition,

but as a scar.

Not as authority,

but as memory

drawn from cells of confinement

and long corridors of waiting.

In our sixties,

the table grew louder

with stories of diaspora—

continents crossed,

languages misplaced,

homelands carried

in suitcases of longing.

We laughed longer.

We lingered after meals.

The evening light remained.

Then came the seventies,

and grandchildren

arrived like unexpected spring rain.

Small hands reached for the same stories

we had spent decades

trying to understand ourselves.

And beyond the hill of seventy,

we became less certain

and more wise.

More willing

to listen to roads

other than our own.

More willing

to call every return

a kind of homecoming.

Perhaps it has always been so.

The same human circle

turning beneath different stars.

One generation speaking,

another listening,

all of us passing

the unfinished story

across the table.

And sometimes—

between memory and silence,

between laughter and farewell—

existence opens

into something greater than itself,

a moment beyond time,

where friendship outlives distance,

and love survives history.

There, the stories continue.

There, the table remains set.

still listens.

Sometimes with patience.

Sometimes with a sigh.

Sometimes with a complaint

she has earned honestly.

Yet when the stories begin again,

she remains at the table,

the keeper of our memories,

listening once more

to the old songs of friendship.

And life with friends,

having crossed so many seasons,

appears not ended

but eternal.

And my wife—

having heard these stories

more times than anyone.

– TaeHun Yoon, 6/7/2026

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May be an image of one or more people, turnstile and train

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“Blessed Life”

The day flowed like a slow river through old friendships and remembered blessings.

At noon,

among the green hills of Ansan,

I shared a table of hanjeongsik with the pastor, now ninety, and his wife—

the two who once stood beside us and blessed our marriage so many years ago.

We spoke of life.

Not of achievements.

Not of regrets.

Only of the years that had come and gone like seasons crossing a mountain.

Their faces carried wrinkles.

Mine did too.

Yet something within us remained young enough to recognize grace.

Then evening came.

The sea waited at Sokcho Harbor.

Fishing boats rested upon the breathing water.

At another tables at a friend and his wife—

a friend I had not seen for fifty years.

Half a century fell away with the first smile.

We spoke of school days, of winding roads, of people we loved who now live only in memory.

The harbor lights shimmered on dark waves.

The sea listened.

Night deepened.

And I gave thanks.

For the pastor who blessed my beginning.

For the friend who returned from my distant youth.

For bread shared.

For stories remembered.

For the long road that brought us here.

A blessed life, I have learned,

is not measured by what we gather,

but by those who still sit with us after the passing of many years.

And by love,

which some how remembers

where to find us again.

– TaeHun Yoon, 6/8/2026

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“Fresh Waters, My Home Church”

– For Changchun Methodist Church, 120 Years

A clear stream runs through the world,

not with noise,

not with power,

but with the patience of water

finding every thirsty root.

On a Sunday morning,

the prophet speaks again:

“These waters flow toward the east…

and wherever the river goes,

everything shall live.”

And suddenly Ezekiel’s river

crosses a century

and arrives here—

to Changchun,

where prayer first gathered

beneath humble roofs

in the summer of 1906.

Before towers,

before crowded streets,

before the rush of students

and the glow of screens,

there was a spring.

A handful of believers.

A gospel carried westward

from Jeong-dong.

A dream that faith

might take root

among new homes

and dusty roads.

The river began there.

I remember another stream.

A child bending over clear water,

chasing minnows

through sunlight and stone.

The creek seemed endless then.

Yet life carried me

through distant lands,

through years of ministry,

through departures

and returns.

And after the long road,

I find myself again

standing in the water.

Not in that childhood stream,

but in the broad current

of the ChangChun River,

where memory,

history,

and grace

meet together.

The river has grown wider.

Its source remains unseen.

Yet it still carries

the same living water.

For one hundred and twenty years

this church has stood

beside that clear stream—

through occupation and war,

through rebuilding and hope,

through generations of students,

workers,

mothers,

fathers,

pastors,

and dreamers.

Here prayers were whispered.

Here tears were received.

Here young voices

heard their calling.

Here weary souls

found a place to rest.

And the water kept flowing.

Today,

I hear another witness.

The final breath

of John Steinbeck

gathered into three simple letters-

Soli Deo Gloria.

Glory to God alone.

The river does not praise itself.

The stream does not drink itself.

The water moves onward,

giving life

wherever it goes.

So may Changchun remain

a clear stream

for the city and world.

A river for the weary.

A baptism of living words

for generations yet unseen.

And when another century arrives,

may those who stand here

still hear beneath every hymn,

every prayer,

every sermon,

the sound of living water

flowing from beyond our limits,

because He came,

and still comes,

beyond every boundary,

bringing life

wherever the river flows.

— TaeHun Yoon, on Sunday 6/7/2026

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“Lost Anchor “

Yesterday,

guided by my seminary friend, Pastor Park Byung-yoon, a companion from the Class of 1973, and his wife,

I crossed Ganghwa Island and arrived at Gyodong Island.

There, the old market waited.

Not a market merely,

but a harbor of memory.

The signs faded by weather, the narrow alleys, the barber shop still holding the scent of another decade, the tea rooms lingering between conversation and silence—

all remained as though time itself had misplaced its calendar.

Only three kilometers away,

across a stretch of water,

lies Hwanghae Province in North.

So near that the eyes can almost believe.

So far that seventy years have not been enough.

After the war,

those driven from Yeonbaek built this market in the image of the one they could no longer return to.

They raised stalls where homes had vanished.

They traded fish, grain, and longing.

They sold what they could.

They carried what they could not.

As I walked those streets,

another journey unfolded.

My grand father and grand mother left Pyeongsan of Hwanghae Province, North Korea, long before the war, coming south to Seoul for the education of their son, my father.

Yet the old homeland never loosened its hold.

Its name traveled quietly through generations,

crossing tables, crossing seasons, crossing blood.

For years

I carried a desire I could not explain—

to stand, if only for a moment, near the soil from which my people came.

Yesterday,

among the weathered store fronts of Daeryong Market,

that longing found a shore.

No, not the homeland itself.

Only its echo.

Only its shadow resting upon the water.

Yet something within me recognized the place.

A root beneath memory.

A voice beneath history.

And I stood there, an old man listening for ancestors in the wind.

Ah,

my lost anchor.

Not buried in the future.

Not hidden in success.

But waiting quietly

in the direction of home.

Ah,

my roots.

Still reaching for me across the river of time.

– TaeHun Yoon, 6/12/2026

May be an image of sea bird and arctic
May be an image of street, newsstand and text
May be an image of text
May be an image of text
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“Dongmak”

Do you know this place?

Late, perhaps too late,

I walked the tidal flats of Dongmak

in the morning light.

Now, having entered my seventy-seventh year,

I feel the sand receive

what remains of my blood and flesh,

as if the earth itself remembers me.

At last I have returned

to the breathing mudflats,

to the ancient circulation

of sea and sky,

of tide and wind,

and there I find rest.

O vast Ganghwa tidal flats!

One of the great tidal realms of the world,

stretching southward beyond sight,

eighteen million pyeong of living shore,

where the sea withdraws

and reveals four kilometers of shining earth.

I greet you.

I greet the clams hidden beneath your skin on West Sea of Korea,

the crabs writing their small scriptures,

the worms turning darkness into life.

Long before maps,

long before designations and boundaries,

people came here—

to gather shellfish,

to walk,

to wait,

to breathe.

The shore belonged to use,

and use became memory.

The white sand.

The pine trees.

The laughter of families

carried by salt wind.

All of it enters me now.

I stand here,

an old pilgrim of oceans and continents,

and feel my body recognize

what my heart knew long ago:

the earth is not beneath us,

the earth is within us.

Soon I shall leave again.

The roads will call,

the airplanes will rise,

the distances will open.

Yet I say this to the sea,

to the sand,

to the patient breathing flats:

I am only departing for a while.

For one day,

beyond all schedules,

beyond all crossings and returns,

I shall come back.

And this time,

I shall stay.

— TaeHun Yoon, June 13, 2026

May be an image of ocean
May be an image of ‎beach, ocean and ‎text that says '‎הוסע‎'‎‎
May be an image of boat and ocean

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“Gwangjang Market”

This morning we hurried beneath Seoul, riding the subway toward Gwangjang Market,

and before the market itself revealed its thousand faces, a nine-month-old girl riding in her stroller offered us the first greeting of the day.

Her mother beside her, her grandmother watching, the child opening her eyes to strangers without fear—

and we exchanged soft words, small sounds, the universal language that existed before nations, before politics, before commerce.

Joy traveled with us between stations.

Then the market opened.

O Gwangjang! Ancient artery of Seoul!Living river more than a century old!

Born in 1905,when Korean merchants gathertheir courage against the tightening grip of empire, founding their own market, their own house of exchange, their declaration that ordinary people, too, possess history.

Descendant of Baeo-gae Market, keeper of old Seoul’s commercial memory, survivor of war, survivor of fire, survivor of every prediction of disappearance.

I walk your narrow passages, a mere meter and a half wide, yet containing continents.

The traffic of humanity moves in two directions at once.

Bodies brushing past bodies.

Languages colliding.

Laughter crossing argument.

A woman carrying dumplings.

A young traveler holding a phone above his head.

A cook waving smoke toward the ceiling.

Visitors from every corner of the earth.

Some faces stubborn as granite.

Some faces bright as spring water.

Each searching.

Each hungry.

Not only for food.

For memory. For belonging. For satisfaction.

YouTube may offer images.

But here the blood itself circulates.

Here life arrives unedited.

The current of the crowd pushes and pulls with tidal force.

Another battle of the globe unfolds here—not with missiles, not with armies, but with appetites, desires, dreams, histories, all pressing shoulder to shoulder through a single passageway.

I remember the market’s wounds.

The war that burned wooden buildings into ash.

The reconstruction in concrete.

The fires of 1966.

The fires of 1998.

The merchants rebuilding again and again.

As reeds return after floodwater, as grass rises after winter, so the market rises.

For what is a marketbut the stubborn will of ordinary people to continue?

Past stalls of silk and hanbok cloth, past fabrics once measured for weddings and military uniforms, past the famous foods of modern Seoul—beef tartare, mung-bean pancakes, sundae, jokbal, gimbap rolled with the speed of practiced hands—

the generations continue their exchange.

At last we sat inside a small eel restaurant.

A room no larger than memory.

Four men in their seventies occupied the next table.

Politics arrived before the food.

One voice rose above the others.

Friendship of decades balanced upon disagreement.

Credit unions,loyalty, betrayal,conviction.

The loudest man insisted.

The others resisted.

The room vibrated with democratic thunder.

How alive they were!

How gloriously alive!

For democracy is not silence.

It is often four old friends refusing to surrender their opinions.

Later we searched for a hanbok for a one-year-old boy.

One shopkeeper did not possess what we needed.

Yet she abandoned her own store, stepped into the crowd,guided us through human currents, from one merchant to another, then another.

No obligation.

No profit.

Only generosity.

I watched her disappear and reappear among strangers, a shepherd leading us through the moving wilderness.

Perhaps this, too, is Korea.

Not merely ambition.

Not merely enterprise.

But kindness carried quietly beneath both.

And then, as if the market itself wished to offer a final blessing,

among hundreds of thousands of visitors, among endless aisles, among all the noise and motion of the day,

we met again the baby from the subway.

The same child.

The same astonished eyes.

The same mother.

The same grandmother.

For a moment the crowd parted.

Recognition flashed.

Joy leaped into the air.

And I stood there wondering:

How can a city of millions still create such meetings?

How can chance feel so much like grace?

O Gwangjang Market!

Market of merchants, of survivors,of cooks, of grandmothers, of arguing elders, of wandering visitors, of babies beginning their first memories—

I celebrate you.

Not because you are old.

Not because you are famous.

But because beneath your roofthe human river still flows,

and in its flowing

I hear the enduring heart beat of Seoul, of Korea, of this restless and beautiful world.

— TaeHun Yoon, June 13, 2026

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May be an image of skyscraper and text

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“At Hyupsung, with an Old Friend”

We journeyed southward,

to the city where King Yeongjo‘s Suwon HwaSung Fortress beneath the patient hills,

where generations pass

and memory lingers among the pines.

There I met again

my old friend,

Rev. Dr. Se-Hyoung Lee,

teacher of teachers,

a sower of minds and souls.

Twenty-six years he stood

before eager students

at Hyupsung University,

opening the deep wells

of theology,

drawing water from ancient springs

for those who would one day

preach, teach, and guide the Church.

Before the statue of John Wesley,

we embraced.

No ceremony.

No audience.

Only two pilgrims

meeting again upon the road,

forty years after northern Manhattan,

forty years after Drew University,

forty years after dreams

still searching for their shape.

I looked around this place.

Once a modest seminary,

born in faith and necessity,

gathering the scattered streams

of Methodist education.

Then the years unfolded.

Buildings rose.

Libraries opened their doors.

New disciplines found a home.

The seed became a tree.

A seminary became a college.

A college became a university.

Four colleges stretching their branches

toward new generations.

And through many of those years,

my friend stood among the builders,

serving as dean,

guiding the graduate school,

helping the vision grow

beyond what many imagined.

Ah!

How mysterious

the work of the Creator.

A vision planted in one heart

becomes shelter for thousands.

And still he does not rest.

Translating wisdom

from distant languages into Korean.

Publishing volume after volume—

thirty-eight books and more.

Listening to wounded souls

through the lens of psychoanalysis.

Teaching.

Writing.

Healing.

Encouraging.

The labor continues.

The river continues.

The calling continues.

Indeed,

a pillar among Korean Christian theologians,

a careful interpreter of the human soul,

a servant of both mind and spirit.

And beside him,

his gracious wife,

sharing the long journey,

the hidden sacrifices,

the quiet faithfulness

known only to those

who walk together through decades.

Today my soul rejoices.

Not only because of achievements.

Not because of titles.

Not because of buildings raised

or books written.

But because I have witnessed

what becomes possible

when one life remains faithful

to a vision greater than itself.

And standing there,

beneath the gaze of Wesley,

among students who carry tomorrow in their hands,

I gave thanks.

For friendship.

For vocation.

For the strange generosity of time.

And for the Creator,

who is never finished

with any of us.

— TaeHun Yoon, June 14, 2026

May be an image of monument and text that says '88 한 요한웨술리 하 웨 웨승리'
May be an image of temple
May be an image of one or more people
May be an image of helicopter, road, monument and text
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“Over Cheongpung Lake”

The water remembers.

Not only water,

but roads that no longer lead anywhere,

a stone step before a vanished door,

a mulberry tree reaching toward a field

that now sleeps beneath the lake.

Names once spoken at dusk

rest quietly

under ninety-seven meters of silence.

My seminary friend,

Rev. Hee-Young Kim,

and his wife,

drove my wife and me

from Seoul to Jecheon.

The highway hurried forward,

but our hearts moved differently,

lingering where memory still lived.

We boarded a boat

upon this inland sea.

Mountains gathered around us,

old and patient,

as though they had watched

every departure

and every return.

Years ago

the dam held back the rivers.

The waters rose.

Villages disappeared.

Thousands of homes.

Thousands of stories.

Thousands of farewells

spoken with trembling voices.

The maps changed.

The people left.

Yet leaving

is never complete.

Beneath these waters

a kitchen remains in memory.

A schoolyard remains in memory.

Temple stones remain.

Conversations remain.

The laughter of children,

the footsteps of parents,

the dreams of those

who believed they would stay forever.

The earth remained.

Only the water moved in.

As the boat crossed the lake,

I watched the wake disappear behind us.

Time does the same.

Years close over us

as water closes over a passing boat.

Yet memory returns.

Unexpectedly.

A familiar voice.

A forgotten road.

A face from long ago

appearing again

in the evening light.

Geumsusan stood quietly.

Bibongsan stood quietly.

The mountains asked for nothing.

They simply remained,

their shadows stretching across the lake

as evening stretched across history.

Tourists lifted their cameras.

We stood in silence.

At our age,

silence often says more than words.

We have lived long enough

to know

that every becoming

requires some relinquishment,

and every blessing

carries the memory

of what was surrendered.

This lake is more than a lake.

It is sorrow widened into beauty.

It is sacrifice made visible.

It is memory learning to breathe again.

It is an old country

still discovering itself.

And perhaps that is true

for each of us.

We lose one home

and discover another.

We grieve what has disappeared,

yet slowly learn gratitude

for what remains.

As the sun lowered itself

behind the mountains,

I prayed quietly.

May these waters remember

the villages beneath them.

May future generations

inherit not only prosperity,

but compassion.

May the compassionate heart,

flow like these waters.

May the dream of Daedong,

the great harmonious community,

continue beyond mountains,

beyond nations,

beyond the boundaries

we place around one another.

Across the lake,

the sunset burned.

Mountain ridges became dark silhouettes.

The sky opened

in crimson and gold.

For a moment,

it seemed

the heavens themselves

were remembering.

The waters received the fire of evening

without a word.

Light trembled upon the surface,

then slowly drifted away.

And may peace,

like this lake at sunset,

be broad enough

to hold our sorrows,

deep enough

to keep our memories,

and calm enough

to guide us home.

For the water remembers.

And so do we.

— TaeHun Yoon, June 15, 2026

May be an image of cloud, horizon and twilight
May be an image of lake, cloud, horizon and twilight
May be an image of train, mountain and lake
May be an image of climbing and mountain
May be an image of one or more people
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“Cricket on My Window”

Who are you, little voyager of the green world?

Out of the roaring highway you came, out of the bright rush of June, out of the invisible fields and grasses beyond the guardrails, crossing the torrent of speed without hesitation.

I saw you there—

not in a meadow,

not among leaves,

but upon the moving glass of my automobile, while the road unrolled beneath meand the engines of the age thundered in every direction.

How steadfast you were!

The wind pressed against you, the great current of air that would sweep away dust, paper, and the loose thoughts of men—

yet you remained.

You climbed the window beside me, lifting one slender leg after another, carrying your small republic of life through the vast machinery of the world.

They tell me your name—a Smyrnean Bush-Cricket, wanderer from distant regions, dark-bodied, green-striped, arriving in Korea before the full heat of summer.

But I knew another name for you.

Courage.

Persistence.

The refusal of life to surrender.

And I, an old traveler myself, crossing my own seasons, felt kinship with your fragile body holding fast against forces larger than itself.

O little companion of the highway, you rode beside me for a brief eternity.

You taught no sermon, offered no doctrine, wrote no book—

yet your presence spoke.

It said: Hold on.

Move forward.

Trust the hidden strength placed within you.

The wind is strong, the journey uncertain, the world immense—

and still, walk.

So I watched you, and loved you.

And as the miles opened before us, I lifted a prayer into the moving air:

May the same mystery that guides migrating birds, opens flowers to the sun, and carries rivers toward the sea,

watch over you.

May your small life flourish.

May your vision of the world remain bright.

May love prove stronger than the wind.

And may all travelers, whether borne on wings, on legs, or on roads of asphalt,

find their way home.

— TaeHun Yoon, June 16, 2026

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“Traveling”

Early summer.

I sit upon a bench before Sungsan Art-hall Grand Theater in Changwon, Korea,

waiting, listening,

already traveling before a single note is sung.

Not by airplane,

not by train,

not by the crowded arteries of cities—

but by music.

From Rocky Hill, Tennessee,

to Seoul,

from the restless rivers of humanity flowing through KTX stations,

to this hall filled with expectation,

I have traveled.

And farther still—

from memory to presence,

from anxiety to surrender,

from death toward life.

O Johannes Brahms!

How mysterious your footsteps remain,

crossing centuries to arrive quietly at my heart.

First came Schicksalslied,

The Song of Destiny,

its chorus suspended between human fragility

and transcendent peace.

The orchestra unfolded

like spring sunlight upon a mountain valley,

clear and tender,

and I found myself standing naked before my own fate,

without disguise,

without argument,

without escape.

There,

before the music,

I became simply a mortal man.

Then rose

A German Requiem—

not a prayer for the dead,

but a blessing for the living.

Not darkness,

but consolation.

Not judgment,

but embrace.

Its seven movements flowed

like seven rivers through the soul,

each one washing away another layer of fear,

each one inviting honesty,

the difficult honesty

that only grief and grace can summon.

I heard within it

a sermon grander than words,

a prayer deeper than doctrine,

a hand placed gently upon the shoulder

of those who walk toward their final horizon.

Did not E. Hanslick speak truly?

A masterpiece warmed by the depth of the soul,

illuminated by noble vision,

purified by sublime beauty.

And tonight,

I believed him.

Then came the convincing and rather exquisite voice

of baritone Samuel Youn.

“Lord, make me to know mine end.”

The words entered me

like a bell sounding through a silent valley.

I thought of my years.

I thought of my journey.

I thought of all that remains unfinished,

and all that has already been given.

For a moment

death stood nearby,

not as an enemy,

but as a companion reminding me

to live truthfully.

Then the soprano, Je-ni Kim,

lifted her heavenly voice:

“Ye now therefore have sorrow.”

And sorrow itself seemed transformed.

The wounded were comforted.

The weary were gathered.

The despairing were reminded

that grief is not the final language of existence.

O magnificent hall!

This was more than a commemorative concert

for the Month of Patriots and Veterans.

It became a sanctuary.

A place where consolation and hope

were offered freely

to every listening heart.

Around me,

tears shimmered in the eyes of strangers.

When the final notes dissolved into silence,

the audience rose together—

a long standing ovation,

waves upon waves of gratitude,

rolling through the night of Changwon.

And there,

before conductor Lim HanKuy,

I watched prayer become motion.

From the tips of his hands

flowed not merely music,

but mercy.

Not merely sound,

but hope.

And as the chorus, orchestra, and soloists breathed together,

I too was carried along—

traveling,

always traveling—

from fear to trust,

from ending to beginning,

from death

toward life.

— TaeHun Yoon, 6/19/2026

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No photo description available.
May be an image of clarinet and text that says '호국보훈의 달 기념 창원시립합창단 창원시립한창단제201회정기연주회 제201회 정기연주회 The Subscriptian Concetto Changwan City CityChai Chair 사인트레시 자원트 지휘 임한귀 임한귀예술김독 (슬김독 소프리노 김제니 위로와 희망의 노래 브람스, 독일 레퀴엠 프로그램 운명의 노래 Schicksabled Op,54 독일 레퀴엠 Ein deutschas Requiem 0p.45 마타 A Ein 베리튼 사무열 묻 deutsches 창원시틴교한악단 2026년 6월 18일(목)오후 7시 7시30분 성산아트홀 대극장 Thursday. lure 18th, 2025 at 30pm ungsan Arthal and Theater 침원시림환창단 메약모든 월5일금) 10:00 공연문의| 297-5832 동림시인매음전·의 퍼보세요 OMLCOr 침원시틴배술단 미연터동 업새여비이용을 시모의바랍니 .190 보원트레식'
May be an image of violin and clarinet
May be an image of temple and monument
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